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  • What is the origin and original meaning of tonic, supertonic . . .
    UPDATE Wikipedia's "Submediant" entry contains this interesting tidbit: In French and Italian, a conception with two centres, subtonic (sous-tonique, sotto-tonica) and supertonic (sustonique, sopra-tonica) on both sides of the tonic, subdominant (sous-dominante, sotto-dominante) and "superdominant" (sus-dominante, sopra-dominante) on both sides of the dominant – and the mediant left alone
  • Why do we only build 7th chords on the supertonic and dominant of a . . .
    Then after introducing the various types of 7th chords, the same sequence of chords is considered, along 7th chords built on the supertonic and dominant of the C major scale, as shown below
  • What are the degrees of a pentatonic scale called?
    Diatonic Scales have the scale degree names tonic, supertonic, mediant, subdominant, dominant, submediant, leading These correspond to the 1st through the 7th degree respectively The major pentatonic scale is made up of degrees 1, 2, 3, 5, 6 of the Major (diatonic) scale Does this mean that the degrees of the pentatonic scale are made up of:
  • Why is it called dominant function and not subtonic function?
    The dominant does not always resolve to the tonic We in classical harmony have the interrupted cadence where the Dominant resolves to the Sub-Mediant
  • scales - What is the lowered supertonic note called, especially in . . .
    I know most scales modes like Ionian (major), Dorian, Lydian, Mixolydian and Aeolian (natural minor) have a major second note called the supertonic, but some scales modes like Phrygian and Locrian have minor seconds above tonic making me wonder if there is a specific name for a lowered supertonic note
  • Writing an augmented sixth chord on the flattened supertonic
    There was a small note in the book about this chord being written on the flattened supertonic (2nd degree of the scale) as well, but there were no examples How do you write an augmented 6th chord on the flattened supertonic, with examples?
  • Mediant, submediant, and minor keys - Music: Practice Theory Stack . . .
    I am familiar with the degree names: tonic, supertonic, mediant, etc but not sure of their use in minor keys Let's consider C major and minor Some are clear, the dominant and subdominant will
  • Does the 7th of IV7 need to resolve if it moves to ii7?
    My textbook has stressed that 7ths in supertonic and subdominant chords need to be prepared and resolved in the same voice I am trying to do this in the following progression but since my IV7 doesnt go to a V chord and the ^2 is in the bass of the following chord I guess it doesnt resolve then at all?
  • Raised leading tones in Phrygian mode counterpoint
    In the other minor modes, i e , Dorian and Aeolian, the leading note may or may not be raised This creates a melodic interval with the supertonic In Phrygian,raising the leading note gives an odd sounding interval with the supertonic I'm only guessing





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