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  • The People Shaping the Global Fashion Industry - The Business of Fashion
    Khanna oversees the in-house production of fabrics alongside traditional crafts such as hand embroidery in her in-house factory in Kolkata Despite having no previous training in design, Khanna, a former classical dancer and painter, launched her namesake label in the early '90s, quickly garnering attention for her eclectic and non-traditional aesthetic
  • BoF CROSSROADS 2025: How to Tap into Fashion’s Future Growth Markets
    She’s worked closely with Indigenous communities in her home country to preserve and elevate their traditional crafts, becoming an expert on the policies, strategies and relationships that an ethical craft-based business demands
  • Why Chinese Brands Excel at Down Jackets | BoF - The Business of Fashion
    Shen’s geometric designs, which infuse a couture-like sensibility into the fabric, leverage patented techniques including some that are inspired by traditional Chinese crafts like paper cutting and braiding Most of his down items — which aren’t restricted to outerwear — sell for around $3,000 to $4,000
  • Hanfu Movement Sweeps China in Revival of Traditional Culture
    Hanfu also aligns with President Xi Jinping's call to promote traditional Chinese values What keeps people reaching for their Hanfu outfits is often more personal Since starting to wear Hanfu, Li Doudou said she has attended a class on traditional tea ceremonies She is also planning to learn to play the "guqin," an ancient seven-stringed zither
  • A Big Sky at Alexander McQueen | BoF - The Business of Fashion
    Drawing on traditional crafts and folklore from all over the UK, she has infused her work with a pagan spirit, manifest in “Anemones,” the lavish book she published for her last collection, in which Paolo Roversi’s portraits painted her models in the saturated blood-red shades of broken blossoms
  • Karishma Swali | BoF 500 | The People Shaping the Global Fashion Industry
    As a supplier of fine embroideries to global luxury brands and couture houses, she preserves traditional Indian textile crafts while training the next generation of artisans Catalysts Karishma Swali is the managing director and creative director of Chanakya International and the Chanakya School of Craft
  • Inside Hosoo, the 327-Year-Old Textiles Mill Supplying Chanel and Dior
    The mill was founded in 1688, when it was kept busy weaving traditional kimonos for Shogun warriors and samurai from the elite Tokugawa clan Nowadays, the kimono business still exists, but it is nothing compared to what it once was, says Masataka Hosoo "The market for traditional kimonos has diminished by 90 percent," he says frankly
  • Made in Fair Isle | BoF - The Business of Fashion
    But because neither the pattern, nor the name are trademarked, "Fair Isle" sweaters, cardigans, hats and scarves with variations on the traditional motifs are mass-produced in factories as far afield as China and sold in varying levels of quality by global brands like Gap, J Crew, Marc by Marc Jacobs and Ralph Lauren, while the people on Fair Isle have struggled to capitalise on the iconic
  • The People Shaping the Global Fashion Industry - The Business of Fashion
    Travelling around the country to gather inspiration from regional landscapes and harness the endangered skills of master artisans, she produces collections informed by kimono textiles, early imari pottery and bamboo basket weaving, giving local heritage crafts a global platform
  • Why Billionaire Industrialists Are Snapping Up India’s Fashion Brands
    Founded in 1960 as an exporter of Indian textile crafts, the company has grown from just one store in 1976 to more than 320 across India “Fabindia is now a broad-based retailer [including] home[ware], furnishings, cafés [etcetera] rather than just selling traditional clothing





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