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ornamental    音标拼音: [,ɔrnəm'ɛntəl]
n. 装饰物
a. 装饰性的,装饰的,装饰用的

装饰物装饰性的,装饰的,装饰用的

ornamental
adj 1: serving an esthetic rather than a useful purpose;
"cosmetic fenders on cars"; "the buildings were
utilitarian rather than decorative" [synonym: {cosmetic},
{decorative}, {ornamental}]
n 1: any plant grown for its beauty or ornamental value

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  • Amuse-bouche | Review 31
    Barthes decried the food features of Elle as ‘ornamental,’ 'an openly dream-like cookery … whose consumption can perfectly well be accomplished by simply looking '
  • Stuff and Things | Review 31
    So the version probably seen by Heidegger was in a realist style rather than one where Van Gogh is more ornamental in his use of lines and use of bolder colours
  • Art and the Real - Review 31
    reviewed by Hatty Nestor Realism Materialism Art is an anthology of essays published by the Centre of Curatorial Studies at Bard College, New York, in conjunction with Sternberg Press To uncover the relationship between realism and materialism within the sphere of art, the editors have selected a rich combination of exhibitions, talks and theorists through which to discuss current questions
  • A Sentimental Streak | Review 31
    The paraphernalia of American suburban leisure - doghouse, patio, swing set, bird feeder, street named Marigold, dog named Sparky — are dismantled to reveal its corrupt counterparts, its dreams of violence Glimpses of damage are unmediated and unanswered, bathetically shrugged off: ‘Connie’s a prostitute, I’m a thirty-year-old virgin, but all things considered, we could have turned
  • Intimacy At the End of the World | Review 31
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  • Like a New Muscle | Review 31
    reviewed by Nikita Biswal Romalyn Ante’s debut collection, Antiemetic for Homesickness, opens with an image of snow which so closely resembles flakes of coconut that it leaves its subject bloated Ante extends these poems as a repetitive documentation, rather than a cure, of a chronic longing for home, the familial and the familiar Ante grew up in the Philippines and moved to the UK at 16
  • ‘Upturned carts, cobblestones, pieces of furniture. . .
    Barricades were made of any stray items available: 'upturned carts, cobblestones, pieces of furniture, and above all barriques (barrels filled with earth to give them solidity ’ They belonged to the poor The state might have a monopoly of sophisticated weaponry, but the common people could always make barricades Earth in particular was in no short supply, and was a resource which could
  • Re-cultured Lines | Review 31
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  • A Matter of Moderation and Negotiation | Review 31
    The book's wider argument, which plays out in its most tense and electric form here, is harder to sum up And not only because of the famous difficulties of Clark's style, which combines a dense and allusive argument with a dependence on subtleties of tone and a tendency to leave his conclusions implicit The local triumphs of Clark's essays, here and in the chapters on Pieter Bruegel the
  • ‘It is, indeed, a terrible thing’ | Review 31
    A black-and-white photograph — landscape, extending over two pages A woman takes up the right-hand page, her face and torso specifically At first instance she reminds you of a young Cher, the same long features and dark eyes The woman is also holding a landscape photograph It shows a catastrophic incident: what was once a building now debris and ash and mephitic smoke, men in thick





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