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  • Origins of the Yuzu Nenbutsu Sect 融通念仏縁起
    This scroll depicts the life of the monk Ryonin (1072-1132), founder of the Yuzu Nembutsu sect of Japanese Buddhism Ryonin taught that rebirth in the Western Paradise of the Buddha of Infinite Light, who is known in Japanese as Amida, could be attained by repeatedly the chanting of Amida's name Followers of the Yuzu Nembutsu believed that the chanting of Amida's name by one individual could
  • ARS ORIENTALIS VOLUME 46
    The Performative Agency of Buddhist Art and Architecture in Asia
  • Resources | Goryeo Buddhist Painting: A Closer Look | Freer|Sackler
    Resources Pattern Library Selected Bibliography Glossary Further Reading Goryeo Buddhist Painting in an Interregional Context by Yukio Lippit (PDF, 2 4MB) Koryŏ Buddhist Paintings and the Cult of Amitābh a: Visions of a Hwaŏm-Inspired Pure Land by Richard D McBride II (PDF, 1 3MB)
  • Express Lane to Paradise - National Museum of Asian Art
    Amitabha, the celestial buddha of infinite light, created a perfect world or “pure land” known as the Land of Bliss His goal was to make buddhahood easily attainable, even for ordinary people Anyone who spends one lifetime practicing Buddhist teachings in the Land of Bliss automatically becomes a buddha Buddhists from various traditions pray to be reborn in the Land of Bliss; others
  • Basin - National Museum of Asian Art
    Decorated with Christian imagery, Arabic inscriptions, and vegetal and geometric designs, this inlaid brass basin is a testament to the diverse communities and traditions that existed in Syria and other regions of the Islamic world for millennia The remarkable object was made during the rule of the Ayyubid dynasty (founded by Salah al-Din, known in the West as Saladin), which controlled Egypt
  • Imagined Neighbors: Comparisons
    Imagined Neighbors Explore some of the similarities and differences between literati painters in Japan and China by looking at paintings in our collections Touch an image to begin
  • Paradise of Amida Buddha (Amitabha) - National Museum of Asian Art
    Devotion to Amida Buddha within Japanese Buddhism reached a crescendo late in the Heian period (794-1185) and continued through the Kamakura period (1185-1333) Amida's Western Paradise was central to the iconography of Amidist cults, and most specifically to Pure Land Buddhism Images of the Western Paradise were symmetrically-conceived views of paradisiacal court architecture and gardens
  • Yuzu Nembutsu Engi (Account of the origins of the Yuzu Nembutsu . . .
    Many handscrolls of engi, literally "cause and effect" with regard to the founding and histories of Buddhist temples, were commissioned and produced during the Kamakura period, an era of intense religious proselytizing and significant increase in Buddhist belief among the common people Pairs of scrolls of the Yuzu nembutsu engi are particularly numerous
  • JAPANESE ZEN BUDDHISM AND THE IMPOSSIBLE PAINTING
    INTRODUCTION Zen art poses a conundrum 1 On the one hand, Zen Buddhism emphasizes the concept of emptiness (Sanskrit: šūnyatā), which among other things asserts that form is empty, that all phenomena in the world are illusory On the other hand, over the centuries a prodi- gious amount of artwork has been created in association with Zen thought and practice A wide range of media, genres
  • Basin - National Museum of Asian Art
    Basin, brass richly inlaid with silver, made for the Ayyubid Sultan Ayyub of Egypt (637-47 1239-49) and, at times, also of Syria (Damascus) Decorations include inscriptions in large Naskhi and plaited Kufic Part of the silver inlay has fallen out, especially in the inscription of the interior; none are left on the inner bottom





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